This graduate seminar introduces participants to the study of events featuring “the public” as both performers and spectators. Drawing on readings from across a range of fields including theatre, dance, performance studies, and cultural studies, we will consider how performance events and practices construct, contest, and attempt to transform collective subjectivities. We’ll look first at the “public-making” work of large-scale events such as festivals, pageants, protests, and flash mobs. Next, we’ll concentrate on contemporary performance works that address themselves to “intimate” or “ambient” publics. Examples include immersive theatre projects, site-responsive installations, and works associated with relational aesthetics. Throughout the semester, we will ask how “performing publics” negotiate questions of race, class, gender, ethnicity and nationality, and we will compare different methods of research and analysis. Final projects may be performance-based or writing-based.
To check availability or register, visit the Course Catalog and Master Schedule.